短视频作家批评的话语形态与言说机制  

The Discourse Form and Speech Mechanism of Writer Criticism of Short Videos

作　　者：郭芳丽 GUO Fang-li(School of Literature,Yangtze Normal University,Chongqing,408100)

机构地区：[1]长江师范学院文学院

出　　处：《云南社会科学》2024年第5期172-181,共10页Social Sciences in Yunnan

基　　金：教育部人文社会科学研究项目“新时期以来作家批评的话语形态研究”(项目号:22YJA751005)的阶段性成果。

摘　　要：当前作家批评出现了“短视频段子”的新型文学批评话语形态。言说内容注重文学的生活化,主要包括生活化文艺问题的个性化展开、文学文化经典的生活化还原、文学对当代生活的洞见和启示。言说方式为以点带面、散点透视的段子言说:一是“标准段子”言说,语词系统多由网络热词和日常口语构成,以切合读者现实生活的日常化表达或幽默化表达为主,注重铺陈和反转以达到“有趣”的效果;二是“反段子”言说,以书面化语词对读者现实生存困惑进行严肃探讨,以由情入理的渐近论述达到“有智”的效果。言说机制包含了文化、文学、艺术生产、媒介技术等多方面,其关键是当代社会各要素加速融合造成的作家“人-现实-文学”融合的“大文学”观以及“创作-批评”融合的“大创作”思维。Writer criticism has formed a new type of literary criticism discourse form of“short video segment”.The content of criticism focuses on the everyday aspects of literature,including personalized exploration of daily literary and artistic issues,the everyday reinterpretation of literary and cultural classics,and the insights and inspirations of literature to contemporary life.The mode of expression in short video segments is similar to a point-to-surface approach with a fragmented perspective.The first is the“standard segment”where the language system primarily consists of internet buzzwords and everyday spoken language,focusing on expressions that align with the reader’s daily life or humor.This approach emphasizes buildup and reversal to achieve an“interesting effect”.The second is the“anti-segment”,which uses more formal language to seriously explore the reader’s real-life dilemmas.Through a gradual,emotionally driven argument,it aims to achieve an“intelligent”effect.The speech mechanism of discourse includes various aspects,including culture,literature,art production,and media technology.The key is the accelerated fusion of various elements in contemporary society,leading to a“grand literature”perspective that integrates“people-reality-literature”and a“grand creation”mindset that merges“creation-criticism”.

关 键 词：作家批评 短视频段子 话语形态 大众文化 

分 类 号：I02[文学—文学理论]