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出 处:《浙江画报》2024年第8期80-85,共6页Zhejiang Pictorial
摘 要:桃红柳绿,芳草如茵。远方,群山黛色如洗,绿意参差不一;近处,翩翩白鹭的羽翼划过水面,碧波荡漾不已。白日里的西湖有着看不尽的多姿色彩,令人目不暇接,但如织的游人却让一些人望而却步。深夜一两点,点点星光从银河倾泻而下,照亮了夜行人的前路。李舜驾车从工作室驶出,过龙井,上孤山,一身黑衣的他与夜色融为一体,悄然投人西湖的怀抱。此时的西湖褪去了白天的热闹,显得格外静谧。Where the heart leads,Li Shun presses the shutter in his hands.Each click of the shutter seems like a cry emanating from the light being captured in the darkness,and these rays of light become his brush and ink,writing his retrospection on traditional Chinese culture at present.Li Shun uses the contemporary art forms of camera,computer and light to replace pen and ink,engaging in a cross-temporal dialogue with the ancients.Thus he explores the possibilities of the continuation of traditional Chinese culture.
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