“感”与中国诗学中的身体在场  

“Sense” and Body Presence in Chinese Poetics

作　　者：李晓彩 LI Xiaocai

机构地区：[1]河北师范大学学报编辑部

出　　处：《中国政法大学学报》2024年第5期257-274,共18页Journal Of CUPL

基　　金：河北省社会科学基金项目“中国古典诗论中的‘身体命题’及其当代意义研究”(项目批准号:HB22ZW015)的阶段性成果之一。

摘　　要：“感”是中国诗学中的一个核心范畴,是审美发生的基源性存在,强调“浑身强烈感觉力”的身体在场,成为贯通创作论、作品论以及接受论的内在审美机要。作为创作过程中的“身体体验”,感觉的秩序、感觉的逻辑、感觉的深度有着独属于中华生命美学精神的“诗学基因密码序列”。作为作品呈现的“身体喻象”,以身体结构喻文体结构,以身体体验喻文章蕴藉,以“诗中有人”透射作品个性气质,在保证作品作为生命机体完整性、功能性以及生命活性的同时,体现出独特的精神个性。作为接受欣赏过程中的“以身相接”,体现为读者感官体验与作品感性体征的相接、读者审美经验与作者审美经验的相接,以及读者生命体验与作者人生体验的相接。中国诗学中的“感”是流淌在民族文化血脉中的审美活性因子,内化为中华美学的生命精神,外化为中华美学的独特风貌。“Sense” is the core category of Chinese poetics and the basic existence of aesthetic occurrence.It emphasizes the physical existence of “strong feeling of the whole body” and becomes the inner aesthetic key connecting the theory of creation,the theory of work and the theory of reception.As the “physical experience” in the creative process,the order,logic and depth of feeling have the “poetic gene sequence” belonging to the spirit of Chinese life aesthetics.The “body figurative image” presented as a work uses the body structure to symbolize the stylistic structure,the body experience to symbolize the text,and the “someone in the poem” to convey the personality of the work,which not only reflects the unique spiritual personality of the work,but also guarantees the integrity,functionality and life activity of the work as a living body.As the “connection with the body” in the process of acceptance and appreciation,it embodies the connection between the reader’s sensory experience and the perceptual physical symbol of the work,the reader’s aesthetic experience and the author’s aesthetic experience,and the reader’s life experience and the author's life experience.The “sense” in Chinese poetics is a positive aesthetic factor flowing in the blood of national culture,which is internalized into the life spirit of Chinese aesthetics and externalized into the uniqueness of Chinese aesthetics.

关 键 词：感 中国诗学 身体在场 生命精神 

分 类 号：I0-02[文学—文学理论]