论诗歌在明清文人印中的传播  

On the Spread of Poetry in Literati Seals During Ming and Qing Dynasties

作　　者：陈子旋 CHEN Zixuan(School of Chinese Language and Literature,Shanxi Normal University,Taiyuan 030000,China)

机构地区：[1]山西师范大学文学院,山西太原030000

出　　处：《洛阳理工学院学报（社会科学版）》2024年第5期62-67,共6页Journal of Luoyang Institute of Science and Technology：Social Science Edition

摘　　要：明清时期,篆刻艺术尤其是文人印与诗歌的关系随篆刻艺术的演进而不断加深,形成了诗歌印文这一新的文艺鉴赏形式。文人是明清时期篆刻艺术与诗歌结合的连接点,其创作的诗歌印文既推动篆刻艺术风貌的发展,又为文学传播提供了新的媒介。明清印章以其诗歌与印文的结合而呈从初成气象到蔚为壮观的诗印浑融的特点。The relationship between seal cutting art,especially literati sealing and poetry deepened with the evolution of seal cutting art during the Ming and Qing dynasties,forming a new pattern of art appreciation.The involvement of the literati is the connection point of the combination of seal cutting art and poetry,which promotes the development of seal cutting art and provides a new medium for literature dissemination.The combination of poetry and sealed literature of the Ming and Qing Dynasties featured the integrity of poetry and seals from the prototype to wide popularity.

关 键 词：诗歌传播 篆刻艺术 文人印 

分 类 号：I206.2[文学—中国文学]