潮汕祠堂“十八样”的布局营造及其成因  

Research on the Layout and Origins of the"18 forms of Teochew Ancestor's Hall"

作　　者：潘鲁生 赖迪斯 PAN Lusheng;LAI Disi

机构地区：[1]上海大学上海美术学院,上海200444

出　　处：《济南大学学报（社会科学版）》2024年第5期15-22,195,共9页Journal of University of Jinan:Social Science Edition

基　　金：国家社会科学基金艺术学重大项目“中华传统造物艺术体系与设计文献研究”(项目编号:19ZD22)。

摘　　要：潮汕祠堂“十八样”是对潮汕祠堂样式多样性的通俗总结。通过对潮汕祠堂的多样性对其社会结构、营造文化进行分析,得出结论:其样式多样性背后的成因有三,分别是营造过程中的风俗规范、建造工艺及匠师技能、潮汕地区的社会结构和生活方式。其中包括使用者、设计施工者和整个潮汕族群在内的人群又发挥了主体作用,而祖先崇拜则是潮汕祠堂文化同源又多样性的根本原因。The phrase"18 Forms of Teochew Ancestor's Hall"offers a comprehensive summary of the diverse variation found in Teochew Ancestor's Halls.This study explored the social structure and construction culture of these halls through the lens of their diversity,using field research as a basis.The findings reveal three key factors contributing to the diversity of Teochew Ancestor's Halls:construction customs,building techniques,and the social structure and lifestyle of the community.Central to this diversity are the people involvedusers,designers,constructors,and the broader Teochew community.The fundamental cultural logic of ancestor worship also underpins this diversity,re‐flecting a shared cultural heritage.

关 键 词：潮汕祠堂 十八样 多样性 同一性 宗族文化 

分 类 号：K890[历史地理—民俗学] J503[历史地理—历史学]