“迷宫似的错误”:旅行与济慈的诗歌思想  

"Mazy Error":Travel and Keats's Poetic Ideas

作　　者：程汇涓[1] CHENG Huijuan

机构地区：[1]上海外国语大学国际工商管理学院

出　　处：《国外文学》2024年第3期109-119,共11页Foreign Literatures

基　　金：国家社科基金重大项目“英国文学的命运共同体表征与审美研究”(项目编号:19ZDA293)的阶段性成果;中央高校基本科研业务费专项资助。

摘　　要：与同时代的浪漫主义诗人相比,济慈的旅行经验在时间和空间上都更为局促。围绕济慈与旅行的研究主要聚焦于1818年的苏格兰之旅对其诗歌意象的启发,反而忽略了旅行作为一种思维方式对济慈诗歌思想的意义。透过旅行视角,对济慈创作和思想整体的连续性展开考察,就能揭示出他在诗歌素材、方法和哲学认知层面的发展轨迹。在启蒙主义进步美学和现代意识的双重压力下,“迟来的旅行者”与“迷宫”浮现为他诗歌思想中具有元诗学意义的对应物。Keats's travel experience was more limited in time and space than that of his Romantic peers.Most research on Keats and travel has focused primarily on how his tour to Scotland in 1818 stimulated his poetic imagery.However,the significance of travel as a mode of thought for his poetic mind has been overlooked in studies of the poet and travel.By examining the overall continuity of Keats's creation and thought via the prism of travel,it is possible to reveal the trajectory of his development at the levels of poetic material,method,and philosophical vision.Under the merging pressure of Enlightenment progressive aesthetics and modern consciousness,the"belated traveler"and the"maze"arise as the meta-poetic correlatives to his ideas.

关 键 词：约翰·济慈 旅行 诗歌 对应物 空间形态 

分 类 号：I561.072[文学—其他各国文学]