“政治任务”与“文化任务”的交错——新见1940年代中期三篇李健吾集外佚作考释  

The Interlacing of“Political Task”and“Cultural Task”:A Textual Research on Three Lost Works of Li Jianwu in the Late 1940s

作　　者：高强 GAO Qiang(School of Humanities,Southwest Jiaotong University,Chengdu 611756,China)

机构地区：[1]西南交通大学人文学院,四川成都611756

出　　处：《苏州教育学院学报》2024年第4期92-100,共9页Journal of Suzhou College of Education

基　　金：成都市哲学社会科学重点研究基地成都历史与成都文献研究中心一般项目(CLWX23004)。

摘　　要：《论历史和现时(致俞)》《舞台和文学—法国十七世纪》《看司徒乔的画》是新发现的李健吾创作于1940年代中期的三篇集外佚作。《论历史和现时(致俞)》引出了李健吾和俞两人关于戏剧《金小玉》的争辩,从中可见历史性创作日渐被现时性创作取代的迹象。梳理考辨《舞台和文学—法国十七世纪》《看司徒乔的画》可以发现,尊重现实和对抗现实这两种立场态度共存于李健吾笔端。这三篇佚作既揭示了“政治人”所宣扬的“政治任务”逐渐取代“文化人”所看重的“文化任务”的过程,也表明“政治人”与“文化人”的身份认同共存于李健吾这样的自由主义知识分子作家身上,进而使其对“政治任务”与“文化任务”同表关切。“政治任务”与“文化任务”的交错,最终折射出抗战结束后文艺嬗变转型的繁复面目。On History and Reality(to Yu Ping),Stage and Literature:France in the Seventeenth Century and Looking at Situqiao’s Paintings are three newly discovered works written by Li Jianwu in the late 1940s.On History and Reality leads to a debate between Li Jianwu and Yu Ping about the drama Jin Xiaoyu,from which we can see the signs that historical works is gradually replaced by present creation.Based on the analysis of the two literary and artistic reviews of Stage and Literature:France in the Seventeenth Century and Looking at Situqiao’s Paintings,it can be found that two quite opposite standpoints of respecting reality and confronting reality coexist in Li Jianwu’s writing.Li Jianwu’s three works not only reveal the process of“political task”advocated by“political man”gradually replacing“cultural task”valued by“cultural man”,but also show that the identity of“political man”and“cultural man”coexists in liberal intellectual writers such as Li Jianwu,which makes Li show concerns about“political task”and“cultural task”.The intersection of“political task”and“cultural task”ultimately reflects the complicated transformation of literature and art after the end of the Anti-Japanese War.

关 键 词：李健吾 俞 佚作 文艺转型 戏剧 

分 类 号：I206.6[文学—中国文学]