陈师曾画学观念研究述评  

A Review of Chen Shizeng’s Research on Painting Concepts

作　　者：王华军 Wang Huajun(School of Fine Arts,Qilu Normal University,Jinan 250013,China)

机构地区：[1]齐鲁师范学院美术学院,山东济南250013

出　　处：《齐鲁师范学院学报》2024年第5期95-101,共7页Journal of Qilu Normal University

摘　　要：在近代中国画理论书写和创作实践中,陈师曾的画学观念是认识中国水墨人物画形态转型问题极其重要的线索之一。尽可能掌握和解析陈师曾的画学观念,有助于研究者追根溯源,更清晰、充分地认识和讨论中国画的传统延传、现代转型问题。In the theoretical writing and creative practice of modern Chinese painting,Chen Shizeng’s painting concept is one of the extremely important clues to understand the transformation of the form of Chinese ink figure painting.Comprehensively grasping and analyzing Chen Shizeng’s painting concepts as much as possible can help researchers trace the origins and have a clearer and more comprehensive understanding and discussion of the traditional transmission and modern transformation of Chinese painting.

关 键 词：陈师曾 画学观念 中国文人画 

分 类 号：J202[艺术—美术]