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作 者:王昕[1] WANG Xin(School of Liberal Arts,Renmin University of China,Beijing,100872,China)
出 处:《福建江夏学院学报》2024年第4期10-17,共8页Journal of Fujian Jiangxia University
摘 要:冯梦龙“三言”对于宋元旧话的改订大致有以下三个方面:一是题目的改订与增删,标志着文人对于通俗小说认知的突破;二是提升通俗小说的地位,意味着文人改造意识的觉醒;三是强调文学的通俗性,昭示着艺术与思想结合的新高度。在编创中,他注重题目的编排,强调人物与事件的内在联系,并利用小说题目来凸显人物性格特点。通过对宋元话本的改造,成功塑造了诸多典型形象,但这些人物塑造与故事价值却形成背离,表现为情节结构与人物关系复杂的作品,人物塑造稍显逊色;与情节小说相反,情节结构与人物关系简单,人物形象的塑造则更加立体、饱满。同时冯梦龙通过对原作的增补,注入改编或重构原作的主题与焦点,有意识地施以“情教”,利用小说的形式来灌输和推广正统的道德规范,实现了题材的拓展与主题的强化。Feng Menglong's"Sanyan stories"made adaptations to scripts for story-telling in Song and Yuan folk literature in roughly the following three aspects:first,the revision,addition and deletion of titles,which marked a breakthrough in literati's understanding of popular fiction;second,the elevation of the status of popular fiction,which signified the awakening of literati's consciousness of reform;and third,the emphasis on the popular nature of literature,which indicated a new height of the combination of art and thought.In the process of compilation and creation,he paid attention to the arrangement of titles,emphasized the internal connection between characters and events,and used the titles of novels to highlight the characteristics of characters.Therefore,through the adaptation of Song-Yuan story-telling scripts,he successfully shaped many typical images,but the portrayal of these characters conflicted with the value of the stories,which was manifested in works with complex plot structures and intricate character relationships and slightly inferior characterizations.In contrast to plot-driven novels,where the plot structure and character relationships were simpler,the shaping of characters was more three-dimensional and full-bodied.At the same time,Feng Menglong also enriched the original works by adapting or reconstructing their themes and focuses.He consciously infused"emotional education,"using the form of novels to instill and promote orthodox moral norms,and realizing the expansion of subjects and the strengthening of themes.
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