大型卫调花鼓戏《窦娥冤》音乐唱腔创作解析  

Analysis of Music Singing Tune Composition of Large-scale Wei Tune Flower Drum Opera Snow in Midsummer

作　　者：连俊杰 Lian Junjie

机构地区：[1]蚌埠医科大学团委,安徽蚌埠233000

出　　处：《滁州学院学报》2024年第4期81-84,90,共5页Journal of Chuzhou University

基　　金：安徽省高校哲学社会科学重点研究项目“‘三全育人’视域下以第二课堂为载体的医学院校历史文化育人体系研究——以蚌埠医学院为例”(2023AH051906)。

摘　　要：卫调花鼓戏是安徽省濒危剧种之一,是流传于淮河流域的稀有地方戏曲剧种。以大型卫调花鼓戏《窦娥冤》音乐唱腔创作为例,对卫调花鼓戏传统音乐形式进行梳理,从传统唱腔旋律、锣鼓经、主音变化等方面概述卫调花鼓戏传统音乐的继承方式;从伴唱运用、乐队实践和剧种新腔创作三个方面分析卫调花鼓戏音乐唱腔的创新与实践理念,为卫调花鼓戏音乐唱腔的发展提供创作经验。Wei Tune Flower Drum Opera is one of the endangered drama types in Anhui Province,as well as a rare local opera circulating in the Huai River basin.Taking the creation of music singing tune of large-scale Wei Tune Flower Drum Opera Snow in Midsummer as an example,this paper sorts out the traditional music form of Wei Tune Flower Drum Opera,and summarizes the inheritance mode of the traditional music of Wei Tune Flower Drum Opera from aspects of traditional singing melody,gong and drum scriptures,and key-note changes.Meanwhile,it probes into the innovation and practical idea of the music singing tune of Wei Tune Flower Drum Opera from three aspects—the employment of vocal accompaniment,the practice of band,and the creation of new genres and tunes,aiming to provide creative experience for the development of music singing tune of Wei Tune Flower Drum Opera.

关 键 词：卫调花鼓戏 窦娥冤 音乐唱腔 创作解析 

分 类 号：J617[艺术—音乐] J825