当代中国交响音乐的符号叙述策略探析——以张千一的《我的祖国》为例  

Semiotic Narrative Strategies in Contemporary Chinese Symphonic Music:Zhang Qianyi's My Motherland

作　　者：张兆麟 Zhang Zhaolin(School of Literature and Journalism,Sichuan University;School of Music,Northwest Minzu University)

机构地区：[1]四川大学文学与新闻学院 [2]西北民族大学音乐学院

出　　处：《符号与传媒》2024年第2期193-204,共12页Signs & Media

基　　金：甘肃省哲学社会科学规划项目“当代中国交响音乐创作中的敦煌叙事研究”(2023YB098)阶段性成果。

摘　　要：张千一创作的交响套曲《我的祖国》在兼顾可听性与专业性的同时,利用标题建构音乐叙述框架,将新时代的丰富内涵和人文风貌作为展现祖国形象的重要路径,为大众进入《我的祖国》语义空间奠定了理解基础。本文以符号叙述学视角为切入点,分别从“标题指示与叙述分层”“双轴操作与双层结构”“音乐互文与情感言说”三个方面,揭示中国交响音乐聆听与阐发的更多可能性。The symphonic suite My Motherland composed by Zhang Qianyi,considering both listenability and professionalism,constructs a musical narrative framework using titles.It takes rich connotations and humanistic features of the new era as a pathway to showcase the image of the motherland,laying a foundation for the public to understand its semantic space.From the perspective of semiotic narratology,this article delves into three aspects of the work,namely"title indication and narrative stratification","dual axes operation and double-layer structure",and"musical intertextuality and emotional discourse",revealing further possibilities for listening to and interpreting Chinese symphonic music.

关 键 词：《我的祖国》 音乐叙述 祖国形象 符号叙述学 中国交响 音乐 

分 类 号：J614[艺术—音乐] H0[语言文字—语言学]