意大利文艺复兴晚期的“得体”理论——以乔瓦尼·保罗·洛玛佐为例  

The Theory of“Decorum”in the Late Italian Renaissance:Case study of Gian Paolo Lomazzo’s writings

作　　者：王泽鲲 Wang Zekun

机构地区：[1]南京师范大学美术学院,江苏南京210023

出　　处：《南京艺术学院学报（美术与设计）》2024年第5期117-124,I0002,共9页Journal of Nanjing University of The Arts:Fine Arts & Design

摘　　要：“得体”原则肇始于古典时期的修辞学,经文艺复兴时期多位理论家与教会人士探讨,至手法主义时期理论代表乔瓦尼·保罗·洛玛佐的论著中予以系统论述。本文重点研究了洛玛佐的“得体”原则中“自然”“人为”“逼真”“美德”等维度,分析了这一理论的哲学背景,同时探讨了其对于艺术家主观“表现”的影响。The principle of“decorum”traced its roots to the rhetorical traditions of the classical era,and was expounded upon by some theorists and religious figures during the Italian Renaissance,and then was systematically discussed in the works of Giovanni Paolo Lomazzo,a noted exponent of the Italian Mannerism theoretical framework.This paper centers on the multifaceted aspects of“decorum”,namely“natural”,“artificial”,“verisimilitude”,“virtue”,and analyses the philosophical underpinnings of this principle along with its influence on artists’subjective“expression”.

关 键 词：洛玛佐 得体 新柏拉图主义 手法主义 

分 类 号：J202[艺术—美术]