新世纪诗歌场域、作者身份与当代性呈现  

The Field of New-Century Poetry,Author Identity and Presentation of Contemporaneity

作　　者：周瓒[1] Zhou Zan

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《中国文学批评》2024年第4期177-186,190,共11页Chinese Journal of Literary Criticism

摘　　要：近年来,当代诗歌现场暗流涌动,第八届鲁迅文学奖重释了既有的诗群概念,“知识分子写作”与“民间写作”的区分不复有效,有关“未来诗学”的论争重申了“90年代诗歌”呈现与遗留的诗学问题。当前,互联网平台已然成为当代诗歌发生与传播的主要空间,诗人群体则因观念的分歧和写作面貌的差异而不断分化、重组。线上诗歌热点频现,线下的诗歌市场总体显得低迷,而诗歌出版却处于升温状态。这一切敦促我们从诗歌场域和诗人身份出发,考察与思考当代诗的“当代性”。具体而言,当代诗歌的显著趋向表现为民生关切、传统重塑、跨界行动、文体自觉等,而所面临的挑战又体现在新媒介语境下对诗人创造活力的考验、诗歌批评的滞后以及新科技激发的创造可能性等方面。In recent years,the landscape of contemporary poetry has been abuzz with undercurrents.The latest Lu Xun Literature Prize has redefined the existing concept of the poetry circle,rendering the distinction between"intellectual writing"and"folk writing"obsolete.Debates about"futuristic poetics"have revisited unresolved issues from the poetic landscape of"1990s poetry."Currently,online platforms have become the primary space for the release and dissemination of contemporary poetry:Key trends in contemporary poetry include a concern for people's well-be-ing,the reshaping of tradition,cross-disciplinary experimentation,and a heightened awareness of style.Chalenges lie in new media's impact on poetic creativity,the lag in poetry criticism,and the possibilities sparked by new technologies.

关 键 词：场域 身份 民生关切 传统重塑 跨界 当代性 

分 类 号：I207.25[文学—中国文学]