十八世纪欧洲市民悲剧中的情感机制  

Private life and Its End:Emotional Mechanism in the 18^(th)-Century European Bourgeois Tragedy

作　　者：李茜 Li Qian(School of Arts,Nanjing University,Nanjing 210093,China)

机构地区：[1]南京大学艺术学院,南京210093

出　　处：《北京大学学报（哲学社会科学版）》2024年第5期86-93,共8页Journal of Peking University(Philosophy and Social Sciences)

摘　　要：在以启蒙作为根本诉求的18世纪市民悲剧中,个人与家庭生活却是其内容的核心。市民悲剧的启蒙诉求为何主要以私人生活的方式呈现,这关系到市民悲剧的核心情节构成,并与家庭这一私人生活场景在市民悲剧中的重要地位密切相关。市民悲剧中的私人生活场景塑造了感伤性的情感机制,而这关涉着18世纪欧洲的历史现状,即市民阶层在公共生活中的无力状态。另外,市民悲剧当中的情感机制改变了悲剧的构成,将私人生活变为公共事件,从家庭场景中发展出了普遍性的自我塑造和同情文化。In the 18th-century bourgeois tragedy with enlightenment as its fundamental demand,personal life and family life formed the core of its contents.The reason why bourgeois tragedy presented its demand for enlightenment mainly through private life was related to the composition of its core plots,and also closely related to the important status of the family as a scene of private life in bourgeois tragedy.The scene of private life in bourgeois tragedy created a sentimental emotional mechanism,which was related to the historical status quo of the 18th-century Europe,and specifically to the powerlessness of the bourgeois class in public life.Furthermore,the emotional mechanism in bourgeois tragedy transformed the composition of tragedy,turning private life into a public event.This transformation led to the development of universal self-fashioning and culture of sympathy from the domestic scene.

关 键 词：18世纪市民悲剧 情感机制 私人生活 启蒙 感伤 

分 类 号：I106.3[文学—世界文学]