浅论中国绘画隐喻的滥觞及发展  

On the Origins and Development of Metaphor in Chinese Painting

作　　者：石海彬 SHI Haibin(School of Fine Arts,Weinan Normal University,Weinan 714099,China)

机构地区：[1]渭南师范学院美术学院,陕西渭南714099

出　　处：《渭南师范学院学报》2024年第10期88-94,共7页Journal of Weinan Normal University

基　　金：渭南师范学院教育教学改革研究项目:隐喻思维在高校美术创作教学中的应用研究(JG202145);渭南师范学院教育教学改革研究项目:传承·融合·创新·开放——地方高校“大美育”一体化人才培养模式探索与实践(JG202320)。

摘　　要：绘画是隐喻的艺术。中国绘画隐喻的滥觞期为原始社会。在旧石器时代末期新石器时代初期,人类的思维逐渐成熟,具备一定的抽象和概括能力,为隐喻思维的产生奠定了生理基础。也就是旧石器时代末期,人类的隐喻思维形成。由于原始人对世界认识的局限,因此他们往往把实际上并不相同的事物当成同一类事物来看待、来述说,这就是隐喻。旧石器时代的绘画主要为骨器刻画、石器刻画等,其隐喻主要指向劳动实践,刻线装饰和饰品装饰隐喻人类劳动中成功捕猎的信念和期望,隐喻人类自身拥有了强大的自然界的神秘力量。到了新石器时代,随着人类生产力水平的进步,绘画类型也大为丰富,最具有代表性的绘画类型为彩陶装饰。新石器时代的绘画隐喻原始人对太阳的崇拜、对自然的崇拜、对生殖的崇拜以及原始人在精神层面追求力量与权威、渴望繁衍与生存的美好愿望。Painting is an art of metaphor,with its origin from primitive societies in China.The earliest metaphorical expression in Chinese painting can be traced back to the late Paleolithic and early Neolithic periods when human cognition gradually matured,possessing advanced abilities for abstraction and generalization,thus laying the biological foundation for appearance of metaphorical thinking.The emergence of artistic thought during the late Paleolithic era coincided with the formation of human artistic metaphorical thinking.Limited by the primitive understanding and cognition of the world,early humans often mistook disparate entities for identical ones,thus forming metaphor.Painting in the late Paleolithic era primarily involved depictions on bone and stone implements,with metaphors predominantly denoting labor practices.The engraved lines,decorations,and adornments served as metaphors representing the beliefs and aspirations associated with successful hunting during human labor activities,embodying a profound connection with the mysterious forces of nature.As the production abilities of humans progressed,so did the richness of painting types till the Neolithic era,with painted pottery decoration standing out as the most representative form.Neolithic paintings metaphorically conveyed the primal reverence for the sun,nature,reproduction,and the spiritual pursuit of power and authority.These expressions encapsulated the primitive human desire for prosperity and the pursuit of a harmonious existence.

关 键 词：原始社会 绘画 隐喻 骨器刻画 岩画 彩陶装饰 

分 类 号：J202[艺术—美术]