审美趣味:作为意象批评法的美学基础  

Aesthetic interest:As the aesthetic basis of the image criticism method

作　　者：景旭锋[1] JING Xufeng(School of Chinese Language and Literature,Guangxi Normal University,Guilin 541004,China)

机构地区：[1]广西师范大学文学院,桂林541004

出　　处：《浙江理工大学学报（社会科学版）》2024年第5期564-569,共6页Journal of Zhejiang Sci-Tech University：Social Sciences

基　　金：国家社会科学基金重大项目(18ZDA276)。

摘　　要：意象批评法的“意象”是显性形式,“趣味”则是寄寓文人性情的隐性本真。“意象批评法”中文人审美趣味在不同的时代有不同的表现:魏晋人往往关注山水自然之趣,唐人舍弃的是文以载道的政治诉求,宋人在意的常常是理趣,明人在小说中展示他们的奇趣;香草美人的趣味则为历代文人所赏。意象批评法是文人个体审美经验的自我表达,探讨意象批评法中文人审美趣味的兴起、发展及其演变过程,希望可以构建趣味阐释方式,构建当代文学批评新方向。The"image"of the image criticism method is the explicit form,while"interest"is the implicit truth of the literati disposition.As for"image criticism method",the literati have different aesthetic tastes in different eras:the literati in the Wei and Jin Dynasties often paid attention to the natural interest of mountains and rivers,the literati in the Tang Dynasty abandoned the political appeal of writing for conveying truth,the literati in the Song Dynasty often cared about philosophic interest,while scholars in the Ming Dynasty showed their fun in novels.The taste of vanilla beauty has been appreciated by the literati in the past.The image criticism method is the self-expression of the literati's individual aesthetic experience.The study discusses the rise,development and evolution of the literati's aesthetic taste in the image criticism method.It is expected to construct interesting interpretation methods and construct new directions for contemporary literary criticism.

关 键 词：意象批评法 意象 审美体验 文人趣味 趣味阐释 

分 类 号：I206[文学—中国文学]