谫论龟兹石窟壁画对哈孜·艾买提壁画创作的影响  

On the Influence of Kucha Grotto Murals on Ghazi Ehmet's Mural Creation

作　　者：王鹏 WANG Peng(Sichuan University of Culture and Arts,Mianyang Sichuan 621000)

机构地区：[1]四川文化艺术学院,四川绵阳621000

出　　处：《吉林艺术学院学报》2024年第4期11-19,共9页Journal of Jilin University of Arts

摘　　要：龟兹石窟壁画是丝绸之路上东西方文明交流、互鉴与融合的视觉史料。哈孜·艾买提深谙龟兹石窟壁画的文化内涵与艺术表征,故而牵经引礼,隐颂于艺。20世纪80年代的新壁画运动中,他将龟兹石窟壁画的图式、符号以及语言融入现代壁画创作。这些作品首开中国现代壁画之新疆样式,以“大历史观、大文化观、大时代观”融合古今、守正创新,再现中华文明进程中西域“古来汉人为我师”与中原“回鹘衣装回鹘马”的文化纠缠,也赋予龟兹文化以现代活力。The Kucha Grotto murals serve as visual historical records of the cultural exchange, interaction, and fusion between Eastern and Western civilizations along the Silk Road. Ghazi Ehmet is well-versed in the cultural connotations and artistic representations of these murals, which have profoundly influenced his mural creations. During the New Mural Movement of the 1980s, he integrated the patterns, symbols, and language of Kucha Grotto murals into modern mural creations, pioneering a new Xinjiang style of Chinese modern murals. His work blends ancient and contemporary perspectives, following a "grand historical view, grand cultural view, and grand era view," highlighting the cultural entanglement between the Central Plains and the Western Regions. This gives modern vitality to Kucha culture.

关 键 词：梨哈孜·艾买提 龟兹 壁画 新疆 艺术 

分 类 号：J218.6[艺术—美术] K879.41[历史地理—考古学及博物馆学]