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作 者:柳东溶 李睿(翻译) Yoo Dongyoung;Li Rui
机构地区:[1]不详
出 处:《孔子学院(中英版)》2023年第2期66-71,共6页Confucius Institute
摘 要:传统书画装裱工艺起源于中国,是一种历史悠久、集保护性与艺术性为一身的书画保护技艺。传统书画作品多选用纸或绢为材料,有着强度低、易老化的特点,因此不利于日常保存、展示和欣赏。传统书画装裱工艺大体可分为书画修复与装裱两项内容,修复指将有污染、残破等病害的书画作品进行复原;装裱指将书画作品与纸或丝绸通过小麦淀粉制成的糊拼接、粘合,再加以裁剪形成屏风、手卷、书页、立轴、镜片等不同形式。The art of repairing and mounting artwork, which originates in China, issteeped in history, and serves both practical and artistic purposes. TraditionalChinese artwork is often crafted on delicate materials like paper or silk, which aresoft and prone to deterioration over time. This makes it dificult to preserve, display,and appreciate these precious pieces. Repairing artwork is composed of two maincomponents: restoration and mounting. Restoration involves repairing damaged orcontaminated works, while mounting entails using wheat starch paste to attach theartwork to paper or silk. The final product is then shaped into various forms such asscreens, handscrolls, pages, hanging scrolls, and mirror frames.
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