口头诗学在中国的引介与本土化实践  

Introduction and Localization Practice of Oral Poetics in China

作　　者：杨剑 YANG Jian(Foreign Languages College,Inner Mongolia University,Hohhot Inner Mongolia 010070,China;College of Liberal Arts&Journalism,Inner Mongolia University,Hohhot Inner Mongolia 010070,China)

机构地区：[1]内蒙古大学外国语学院,内蒙古呼和浩特010070 [2]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070

出　　处：《内蒙古社会科学》2024年第5期187-193,共7页Inner Mongolia Social Sciences

摘　　要：口头诗学是从不同侧面阐释口头文学的诗学法则,它聚焦口头诗歌的创编、演述、流布与接受,旨在揭示口头文学区别于书面文学的内部机制,抽绎出针对口头文学核心特征的释解方法。20世纪90年代,口头诗学在中国的引介与本土化实践含括三个方面,即理论的迻译与推介、理论的创用与出新、我国本土口头诗学话语体系的建构。在交融互鉴、守正创新的自主学术立场中,口头诗学的“中国学派”正在以饱满的热情积极参与国际学术对话,进而展现出强大的学术自信。Oral poetics is a series of poetic approaches explaining oral literature from different aspects,focusing on the composition,performance,diffusion,and reception of oral poetry,aiming to reveal the internal mechanism that distinguishes oral literature from written literature and to extract an interpretative approach to the core features of oral literature.The practice of promoting and localizing oral poetics since its introduction into China in 1990s has been embodied in three aspects:translation and promotion of theories,creation and application of theories,and construction of a local discourse system of oral poetics in China.Taking an autonomous academic stance,determining to realize mutual understanding,integrity and innovation,Chinese scholars are actively participating in the international academic dialogues with full enthusiasm,showing strong academic confidence.

关 键 词：口头诗学 引介 本土化 全观诗学 

分 类 号：I206.7[文学—中国文学]