《伯劳鸟鸣叫时》中流散者的三重隐喻  

The Triple Metaphor of Diasporas in Time of The Butcherbird

作　　者：李京隆 朱振武[1] Li Jinglong;Zhu Zhenwu(School of Humanities,Shanghai Normal University(Shanghai 200233,China))

机构地区：[1]上海师范大学人文学院

出　　处：《外国语文研究》2024年第4期11-19,共9页Foreign Language and Literature Research

基　　金：国家社科基金重大项目“非洲英语文学史”(项目编号:19ZDA296)的阶段性成果。

摘　　要：在最后一部长篇小说《伯劳鸟鸣叫时》中,南非作家亚历克斯·拉·古玛构建了关于流散者的三重隐喻。作者笔下失败的“祈雨”仪式隐喻了二十世纪七十年代南非流散者共同的生存环境,黑人本土流散群体的抗争活动则暗示了南非未来的斗争方向,并象征着“伯劳鸟”这一身份隐喻的转变。此外,“旁观者”的身份隐喻也揭示了英裔南非人被“边缘化”的流散症候。终其一生,拉·古玛致力于通过小说展现南非种族隔离制度下的社会现实,探讨国家的未来发展,其作品深刻批判了种族隔离制度和种族主义思想,体现了他对南非社会的深切关怀。In his last novel,Time of The Butcherbird,the South African writer Alex La Guma sets up a threefold metaphor about the diasporas.In the author’s work,the failed“prayer for rain”ceremony serves as a metaphor for the shared living conditions of the South African diasporas in the 1970s.The struggle of native black diaspora groups represents a metaphor for the future direction of South Africa’s struggle,and it implies a shift in the identity metaphor of the“butcherbrid.”In addition,the identity metaphor of“bystander”also illustrates the“marginalization”syndrome of Anglo-South Africans within the diasporas.Throughout his live,La Guma was committed to portraying the social realities under the apartheid system of South Africa and exploring the future development direction through his novels.His works has deeply criticized the apartheid system and racist ideology of South Africa,reflecting his deep concern for the country’s social realities.

关 键 词：《伯劳鸟鸣叫时》 亚历克斯·拉·古玛 流散者 隐喻 

分 类 号：I478.074[文学—其他各国文学]