古代戏曲玉箫戏相思病的反程式书写与情病隐喻  

Anti-conventional Writing of Lovesickness and Metaphor of Love and Illness in Ancient Yuxiao Play

作　　者：董欣儒 DONG Xinru(College of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610207)

机构地区：[1]四川大学文学与新闻学院,四川成都610207

出　　处：《绵阳师范学院学报》2024年第10期95-102,共8页Journal of Mianyang Teachers＇ College

摘　　要：自元杂剧《玉箫女两世姻缘》以一折演玉箫相思而亡,明清玉箫戏不断敷演玉箫的相思之疾与身心姿态。玉箫戏以曲白递转、动作异形展演病容病姿,由联套生新和角色增衍透发病态病心,同时不断改造、颠覆固有的病码,形成相思病的反程式书写。玉箫戏以隐秘的怨欲交织书写,拟构了“因情生病”的特定范式;善用器物,赐环慰病;病极摧心,向死情炽的相思之痛与情路磋磨,则剖示出念由心生、病缘情起的情病隐喻,展现了古代戏曲女性相思之疾书写的丰润面相与独特趣味。Since The Marriage of Yuxiao in Two Generations portrayed the lovesickness and death of Yuxiao in one single scene in the Yuan Dynasty,the Yuxiao play had been continuously interpreting the illness and the physical and mental posture of Yuxiao's lovesickness in the Ming and Qing Dynasties.The play not only represented the sickly appearance and gesture through abnormal movements and a combination of songs and spoken parts,but also described the morbid state and broken heart through a new combination of Qupai and an addition of characters.At the same time,it constantly transformed and subverted the disease codes,which formed an anti-conventional writing of lovesickness.The Yuxiao play was written with a hidden interweaving of resentments and desires,creating a specific paradigm of"illness due to emotions".The play made good use of the jade ring in offering comfort to the sick.Heart was broken by lovesickness,and love was proven by death,which showed the rich features as well as unique taste of writing about female lovesickness in ancient dramas.

关 键 词：玉箫戏 相思病 古代戏曲 反程式书写 情病隐喻 

分 类 号：I237[文学—中国文学]