数字化时代背景下美学体系的转变  

The Transformation of Aesthetic System in the Digital Era

作　　者：周思宁 贾爱君[1] ZHOU Si-ning;JIA Ai-jun(Art College,Anhui Xinhua University,Hefei 230000,China)

机构地区：[1]安徽新华学院艺术学院,安徽合肥230000

出　　处：《遵义师范学院学报》2024年第5期167-170,174,共5页Journal of Zunyi Normal University

基　　金：2021年安徽省社会实践一流课程“展示设计”项目(2021shsjkc011);2023年大学生素质教育中心项目“新文科视阈下大学生美育教育体系建设的研究”(IFQE202306)。

摘　　要：在数字化时代背景下,美学发展出现新趋势,审美主体与审美客体也发生了新的变化。通过挖掘传统美学思想的核心特征,审视数字化审美进程中“平滑性”现象的兴起,反思“思考性”与“批判性”丧失的问题。在此基础上,提出了推动美学与技术深度融合、保持审美多样性的建设性建议,旨在为美学研究与实践提供新的视角和思考路径。In the digital age,new trends have emerged in the development of aesthetics,and there have been new changes in the subject and object of aesthetics.By exploring the core characteristics of traditional aesthetic thought,examining the rise of the phenomenon of“smoothness”in the process of digital aesthetics,and reflecting on the loss of“thought”and“criticalness”.On this basis,constructive suggestions were put forward to promote the deep integration of aesthetics and technology,and maintain aesthetic diversity,aiming to provide new perspectives and thinking paths for aesthetic research and practice.

关 键 词：数字化 美学 平滑 

分 类 号：J01[艺术—艺术理论]