著名票友 当行出色——作为戏曲家的张伯驹文化形象  

Famous Amateur Performer Outweighing Professionals——Zhang Boju's Cultural Image as a Dramatist

作　　者：任动[1] REN Dong(Zhang Boju Research Center of Zhoukou Normal University,Zhoukou 466001,China)

机构地区：[1]周口师范学院张伯驹研究中心,河南周口466001

出　　处：《商丘职业技术学院学报》2024年第5期25-29,共5页JOURNAL OF SHANGQIU POLYTECHNIC

基　　金：2022年度国家社科基金重大项目“《张伯驹全集》编纂与研究”(22&ZD277)。

摘　　要：张伯驹不仅精于戏曲,是戏曲理论家,还能粉墨登场,于京昆两途,皆当行出色,拥有丰富的舞台表演经验。张伯驹曾师从京剧须生行当的泰山北斗余叔岩,深得其真传。张伯驹演出的《空城计》,被票友盛赞为“伟大的空城计”。张伯驹一生热心京剧事业,殚精竭虑,不遗余力。鉴于张伯驹在戏曲艺术方面的突出成绩和卓越贡献,《中国京剧史》单列《张伯驹》一篇,记述评介张伯驹一生从事京剧的重要活动与贡献。Zhang Boju is proficient in traditional Peking opera not only as a theorist,but as an experienced amateur performer who outweighs most professionals.Zhang was once a pupil of Yu Shuyan,a great master and creator of Yu School of Peking Opera.Zhang has adeptly grasped the talent of Yu Shuyan and won the reputation of “a dedicated member of Yu School”.Zhang Boju's performance in “the Stratagem of the Empty City”-a popular play-was greatly praised by fans.Zhang has wholeheartedly devoted himself to the cause of Peking Opera.With his outstanding achievements and contributions in the field of traditional Peking opera,Zhang has been recorded in an integrated chapter entitled “Zhang Boju” in “The History of Chinese Peking Opera”,which describes and appraises Zhang Boju's important activities and contributions to Peking Opera throughout his life.

关 键 词：张伯驹 戏曲家 天下第一名票 文化形象 

分 类 号：I03[文学—文学理论]