论苏轼作为归隐之道的自然审美  

On Su Shi's Natural Aesthetic as a Way of Seclusion

作　　者：刘汉君 LIU Hanjun(Research Center for Aesthetics of Literature and Art,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学文艺美学研究中心,济南250100

出　　处：《鲁东大学学报（哲学社会科学版）》2024年第5期22-30,共9页Ludong University Journal:Philosophy and Social Sciences Edition

基　　金：国家社会科学基金重大项目“生生美学与中华美学精神的传承创新研究”(23&ZD280)。

摘　　要：苏轼的自然审美超越了对审美对象的单纯观照,而指向对归隐自然家园的审美追求,是他归隐自然的实现途径。他之所以有如此深沉的归隐之念,不只是由于官场倾轧,更重要的是由于他对争夺功名的厌倦,对闲适安逸的自然审美生活的崇尚。在身居高位时,他通过自然审美短暂地感受到归隐自然的乐趣,并发誓最终要归于自然之中;在遭黜贬谪时,他通过自然审美纾解了被贬的悲剧情绪,转贬谪之苦为归隐之乐,真实地感受到了自然家园之适意。苏轼的自然审美理念对当代自然审美的发展有重要的启示作用,具有一定生存哲学意义。Su Shi's natural aesthetic goes beyond the simple observation of aesthetic objects,but points to the aesthetic pursuit of returning to the hidden natural homeland,which is the realization way for him to return to nature.The reason why Su Shi has such deep feelings of seclusion is not only that the officials jostle against one another,but also that he is tired of fighting for fame,and advocates the natural aesthetic life with leisure and ease.When he was a senior official,he briefly felt the pleasure of retreat to nature through natural aesthetic,and vowed to return to nature eventually.When he was dismissed and relegated,he relieved the tragic emotion through natural aesthetic,turned the pain into the joy of seclusion,and truly felt the comfort of natural homeland.Su Shi's concept of natural aesthetic is of great enlightening significance for the development of contemporary natural aesthetic,and has the certain meaning of survival philosophy.

关 键 词：苏轼 归隐之道 自然审美 仕宦 贬谪 

分 类 号：I052[文学—文学理论]