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作 者:潘池勇[1] Pan Chiyong(School of Fine Arts and Design,Chaohu University;Chaohu 238024,China)
机构地区:[1]巢湖学院美术与设计学院,安徽巢湖238024
出 处:《黑河学院学报》2024年第10期143-146,共4页Journal of Heihe University
基 金:安徽省高校产学研项目“书法作品创作”(hxkt20230295)。
摘 要:衄挫萌芽于隶变初期,发展于隶书的形成过程,成熟于章草,完善于王羲之。衄挫形成的重要原因,是人们在书写过程中追求快速、便捷、美观的情况下逐渐形成的,尤其是书家在书写过程中通过对笔锋的调控有意识地使用衄挫。使用衄挫书写时巧妙地提按换锋,振笔挥运,点画时起时伏,造成笔画线迹内外变化多端,使人回味无穷。笔、墨、纸这些书写工具客观上影响着衄挫的表现。衄挫的用笔,表现出来的艺术效果是点画线条富有力量感、节奏感、立体感。衄挫是深化线质效果的笔法,伴随着书法笔法的始终。研究衄挫要深入到书法作品之内进行具体的分析,细心体察衄挫之所以形成的内在原因及艺术效果。Round strokes and pending strokes are originated in the early period where Li calligraphy style gets current in the Han Dynasty,gets developed in the formation process of the calligraphy style,and get matured in Zhangcao calligraphy style and perfected in Wang Xizhi.The root cause for the formation of round strokes and pending strokes is that people are in pursuit of speed,convenience and beauty in the writing process,especially when the calligrapher take conscious control of strokes.When using round strokes and pending strokes in writing,he skillfully raises,presses or changes the stroke,makes a stroke with a pen,and makes rising and falling stipples with,resulting in a lot of changes inside and outside the stroke line,which leads people to endless aftertaste.Writing instruments such as pen,ink and paper will objectively aff ect the performance of round strokes and pending strokes.With the use of the brush,the artistic eff ect lies in that fact that the stippling line is rich in power,rhythm and threedimensional sense.Round strokes and pending strokes are those that can deepens the eff ect of line quality with a brushwork,accompanied by the persistence of calligraphy brushwork.The study on round strokes and pending strokes should make specifi c analysis by go deep into the calligraphy works,and carefully observing the internal reasons and artistic eff ects of the formation of epistaxis.
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