南唐、西蜀诗词中吹奏类乐器研究  

A Study on the Poetry and Lyrics of Wind Instruments in Southern Tang and Western Shu

作　　者：陈镭镭 Chen Leilei(School of Humanities,WenZhou University,WenZhou 325035,China)

机构地区：[1]温州大学人文学院,浙江温州325035

出　　处：《黑河学院学报》2024年第10期154-159,共6页Journal of Heihe University

摘　　要：五代中最为繁盛的南唐、西蜀文学吹奏类乐器诗词中,共出现笳、笛、箫、笙、角、籥、篪、埙、觱篥9种乐器。通过分析与乐器相关的作品,笙的宴乐特性明显,使其在诗词作品的使用频率中都高居不下;笛、箫具有一定的相似性,可出尘、可入世;角的使用在强调其边塞特性之外,还突出了其报时特性;籥、埙、篪三者更具有早期原始乐器特色,常将其作为沟通天人的角色,具有更多的庄严肃穆性;觱篥调高音悲,且可作为打谱乐器。总体上展现了五代文人因为动乱时代而产生的迷茫无助心态,欲求解脱而不得解的现状。In the poetry and lyrics of wind instruments emerging in the most fl ourishing literature of Southern Tang and Western Shu in the Five Dynasties period,there are a total of nine musical instruments in Southern Tang and Western Shu poetry,including Jia,Flute,Xiao,Sheng,Jiao,Yue,Chi,Xun,and BiLi.By analyzing the works related to musical instruments in sequence,the fi nds go as the following:“Sheng”has obvious banquet characteristics,making it highly used in poetic works;Flute and Xiao have a certain degree of similarity,and are performed everywhere;The use of horns emphasizes its border characteristics,as well as time reporting characteristics;Yue,Xun,and Chi have more characteristics of early primitive musical instruments,and are often used as to communicate with heaven and humanity with more solemnity;BiLi has a high pitched and sorrowful tone,and can be used as a score instrument.On the whole,the poetry and lyrics of wind instruments can refl ect show the confusion and helplessness of the literati in the fi ve dynasties,as well as the state of wanting to be liberated and unable to solve in the turbulent time.

关 键 词：乐器 南唐 西蜀 诗词 

分 类 号：I206.2[文学—中国文学]