走马观“花儿”看非遗——关于西北“花儿”实地调研后的再思考  

A Fleeting Glance of"Hua'er"to See Intangible Cultural Heritage:Re-Thinking the Fieldwork on Hua'er in Northwest China

作　　者：和云峰[1] He Yunfeng

机构地区：[1]中央音乐学院

出　　处：《云南艺术学院学报》2024年第3期50-67,共18页

基　　金：国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(项目编号:22ZD11)阶段性成果。

摘　　要：“花儿”是广泛流行于我国青海、甘肃、宁夏、新疆、陕西五省区汉族、回族、藏族、土族、东乡族、保安族、撒拉族、裕固族、蒙古族9个民族共生共创共享的民歌;是西北地区多民族长期交往交流交融的文化结晶;是中华民族共同体意识在传统音乐中的最佳范例。因而对其“民歌源流”和“生态文化”进行更为深入、全面调研的目的与意义亦在于此。本文结合此次及以往的实地调研展开论述。Hua'er is a folk song which is widely popular in five provinces of China,namely Qinghai,Gansu,Ningxia,Xinjiang and Shaanxi,where,it is co-created and shared by nine ethnic nationalities:Han,Hui,Tibetan,Tu,Dongxiang,Bao'an,Sala,Yugu and Mongolia.It is the cultural crystallization of the long-standing exchanges and blending of multi-ethnicities in the Northwest Area;it is the best example of the sense of the community of the Chinese nation in terms of traditional music.Therefore,the purpose and significance of conducting a more in-depth and comprehensive research on the origin and ecological culture of this music can be seen here.In this paper,we will discuss based on this and previous fieldworks.

关 键 词：西北“花儿” 实地调研 资料爬梳 源考流辨 几点思考 再留余论 

分 类 号：J607[艺术—音乐]