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作 者:岳文文 黄立一[2] YUE Wen-wen;HUANG Li-yi
机构地区:[1]中国传媒大学艺术研究院,北京100024 [2]华侨大学文学院
出 处:《华侨大学学报(哲学社会科学版)》2024年第5期142-149,162,共9页Journal of Huaqiao University(Philosophy & Social Sciences)
摘 要:从技术升级下的意象创生切入,当代跨媒介艺术具有拼贴式联物、碎片化呈情以及系统关联性三个方面的主要特征,相较于传统艺术,表现出从物料到情感层面的差异。当代跨媒介艺术与媒介技术的发展密切相关,带有特定媒介化生存指向与社会目标,试图重建艺术与社会的紧密关联。相较于传统艺术,新型跨媒介艺术与媒介社会相互介入,体现出交互介入性。媒介社会介入跨媒介艺术实践,表现在“联觉”呈情、参与性自律与介入性他律三个方面;跨媒介艺术对媒介社会的介入,以物媒至情感为行动进路,表现在媒介转换、意象再现与情动体验三个方面。Starting from the creation of imagery under technological upgrading,contemporary cross-media art has three main characteristics:collage-like associations of substances,fragmented rendering of emotionality,and system relevance,which show differences from the material level to the emotional level,compared with traditional art.Contemporary cross-media art is closely related to the development of media technology,with a specific media-based survival orientation and social goals,trying to reconstruct the close relationship between art and society.Compared with traditional art,the new type of cross-media art intervene with the media society each other,reflecting the interactive intervention.The media society intervenes in the practice of cross-media art,which is manifested in three aspects:synesthesia,participatory self-discipline and interventional other-discipline.The intervention of cross-media art in the media society takes the material media to the emotion as the action approach,which is manifested in three aspects:media transformation,image reproduction and emotionality experience.
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