比较艺术的哲性思考  

Philosophical Reflections on Comparative Art

作　　者：蓝凡 Lan Fan

机构地区：[1]山东大学艺术学院

出　　处：《中国文艺评论》2024年第10期66-75,I0002,I0003,共12页China Literature and Art Criticism

摘　　要：比较是人类艺术发展的根性,艺术的理论研究与批评,更是只有在互为比较的思维中,才能得以确立与成熟。比较是人类感官存在的全部,比较的本质也就是人类感官的本质。艺术比较的三大基本原则是同一性原则、差异性原则和等时性原则。艺术比较的目标,就是跳出“本能”比较和“超能”比较——第一维度感觉意义上的比较和第二维度理性意义上的比较,达到第三维度的自由王国的比较,即依赖人类的文明进步,突破感性与理性两个维度的限制,发展出完全由人类的思维产生的艺术知识体系,从而到达艺术比较的“元”目标。这就是:比较的意义就是实现艺术的“多样性”,从而推动人类的艺术不断革新与创新。可以这样说,艺术的比较就是人类运用自身的意识对这一精神世界的比较认识,是比较的比较。Comparison is the root of the development of human art,and the theoretical study and criticism of art can only be established and mature in the thinking of mutual comparison.Comparison is all that exists for the human senses,and the essence of comparison is thereby the nature of the human senses.The three basic principles of art comparison are the principle of identity,the principle of difference and the principle of isochrony.The goal of artistic comparison is to jump out of the“instinctive”comparison and“supernatural”comparison-the comparison in the sense of sensibility in the first dimension and the comparison in the sense of rationality in the second dimension.To reach the comparison in the kingdom of freedom in the third dimension,it should rely on the progress of human civilization,break through the limitations of the two dimensions of sensibility and rationality, and develop a system of art knowledge that is entirely generated by human thinking, so as to reach the “meta” goal of the comparison of art. That is to say, the significance of comparison is to realize the “diversity” of art, so as to promote the continuous innovation and creativity of human art. In this way, the comparison of art is the comparative understanding of this spiritual world by human beings using their own consciousness, which means the comparison of comparisons.

关 键 词：哲性思考 比较三原则 比较三维度 比较目标意义 

分 类 号：J0-02[艺术—艺术理论]