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作 者:张晓凌 Zhang Xiaoling
机构地区:[1]中国国家画院
出 处:《中国文艺评论》2024年第10期90-105,I0003,I0004,共18页China Literature and Art Criticism
摘 要:近年来,一系列具有重大社会影响的美术展览如“五星出东方:‘一带一路’国际美术大展”“共生世界——2022济南国际双年展”“譬如青春——第十七届上海青年美术大展”“无问西东2023:中国当代艺术学术研究展”先后面世,这些展览不仅以多元的形态与风格昭示着当代美术创作的繁荣,还提出了多个具有重大理论价值的命题。本文从展览的主题、作品与学理层面上,对这些展览尤其是“五星出东方:‘一带一路’国际美术大展”予以系统性的评价。本文认为,“一带一路”倡议的提出,为跨文化、跨国别的创作提供了机遇与可能,其代表性作品印证了一个真理:“丝绸之路精神”将在“一带一路”的建设中惠及全球,成为人类命运共同体的纽带。同时,本文还较为深入地讨论了各个展览所提出的学术命题,如“新中国画”“新水墨”的历史属性与当代意义,“中国油画学派”主张的建立,版画、雕塑的当代性探索,科技与艺术的关系等。本文最后将各个展览的意义指向了“文化主体性建构”这一重大理论课题上。通过对这些问题的讨论,我们可以清晰地看到中国当代美术的价值指向。In recent years,a series of art exhibitions with great social impact have been held successively,such as“Five Stars Rising in the East:the‘Belt and Road’International Art Exhibition Forum”,“A World of Coexistence:2022 Jinan International Biennale”,“Like Morn in the Day:The 17th Shanghai Youth Arts Exhibition”,and“No Questions Asked 2023:Contemporary Art Academic Research Exhibition in China”.These exhibitions not only indicate the prosperity of contemporary fine arts creation with diversified forms and styles,but also put forward a number of propositions with significant theoretical value.This article systematically evaluates these exhibitions,especially the“Five Stars Rising in the East:the‘Belt and Road’International Art Exhibition Forum”,in terms of the themes,works and theories of the exhibitions.The author believes that the proposal of the Belt and Road Initiative provides opportunities and possibilities for cross-cultural and transnational art creations,and that its representative works confirm the truth that the“Silk Road Spirit”will benefit the whole world in the construction of the Belt and Road Initiative and become the bond of the community of shared interests for mankind.At the same time,this article also discusses in depth the academic propositions put forward by each exhibition,such as the historical attributes and contemporary significance of“New Chinese Painting”and“New Ink Painting”,the establishment of the“Chinese School of Oil Painting”,the exploration of the contemporary nature of printmaking and sculpture, and the relationship between science and technology and art. The article concludes by pointing out the significance of each exhibition to the major theoretical issue of “the construction of cultural subjectivity”. Through the discussion of these issues, we can clearly see the value of contemporary Chinese fine arts.
关 键 词:“一带一路”国际美术工程 新时代史诗 文化主体性建构
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