郑敏对百年新诗反思的三重维度  

Zheng Min's Three Dimensions of Reflection on Century--old New Poetry

作　　者：李文彬 许永宁 LI Wen-bin;XU Yong-ning(College of Chinese Language and Literature,Lanzhou University,Lanzhou 730000,Gansu;College of Chinese Language and Literature,Hunan Normal University,Changsha 410000,Hunan)

机构地区：[1]兰州大学文学院,甘肃兰州730000 [2]湖南师范大学文学院,湖南长沙410000

出　　处：《商洛学院学报》2024年第5期30-38,共9页Journal of Shangluo University

基　　金：2023年度湖南省普通高等学校教学改革项目(HNJG-20230273)。

摘　　要：1990年代,郑敏在对五四新诗运动的反思中提出新诗应向古典“传统”学习而引起学界争议。郑敏提倡学习古典“传统”以达成对百年新诗的反思与总结,这既内在于世纪末思潮与新诗的自身发展,同样也是新诗阶段性自我反思这一传统的体现。郑敏的新诗省思以新诗本体为核心,可从新诗的美学评价、新诗语言哲学探寻及新诗史反思三条路径切入。郑敏立足诗歌本身而力图越出任何诗歌外部的评价话语,以打通古今中西的气度强调诗歌在本质上是一种美的艺术。郑敏受语言哲学启发思考一体化认识“文言—白话”的可能性,她认为作为新诗语言的白话应在作为民族无意识的中国古典哲学思维的浸润中趋于成熟。郑敏在对古今诗歌史的总结与反思中,强调在一种具备“历史感”的新诗史研究与新诗写作中,开启新诗与古典诗歌传统的互动以走出新诗的独立发展之路。In 1990s,Zheng Min advocated that new poetry should learn from the"Tradition"of Chinese classical poetry,which was inherent in the late 20th century trend of thought and the tradition of self-reflection in new poetry.Zheng Min's reflection is centered on the new poetry itself,which can be divided into three levels:the aesthetic evaluation of the new poetry,the exploration of the language the exploration of language philosophy in new peotry,and the reflection of new peetry.Zheng Min transcends the limitation of external evaluation discourse of poetry and emphasizes that poetry is an art of beauty in nature.Inspired by the philosophy of language,Zheng Min ponders the possibility of the integration of classical Chinese and vernacular Chinese.She emphasized the importance of Chinese classical philosophical thinking.Zheng Min emphasized a kind of new poetry history research and new poetry writing with"Historical sense".

关 键 词：郑敏 传统 静观诗学 哲学思维 历史感 

分 类 号：I207.25[文学—中国文学]