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作 者:陶水平[1] 朱瑞 TAO Shuiping;ZHU Rui(School of Chinese and Literature,Jiangxi Normal University,Nanchang,Jiangxi 330022)
出 处:《中国文学研究》2024年第4期1-12,共12页Research of Chinese Literature
基 金:教育部重点人文基地重大项目“中华文化精神的文学表征研究”(16JJD750008)。
摘 要:中华感兴美学是以“兴”为枢机,比兴和感兴交织互动、双向拓展、融会贯通的美学理论。“兴”是中华古典艺术和美学最重要的元范畴,感兴美学则是最具中华民族特色和精神气质的元美学。与西方“元美学”术语不同,中华感兴美学的元美学意义表现在“:兴”是中华古典艺术和美学的元范畴、“兴”在中国古典美学史上的地位堪比西方的“逻各斯”、感兴美学是中国古典美学的“开山之纲领”、感兴美学历来被誉为“诗学之正源,法度之准则”、感兴美学凝聚了中华美学独特的精神气质。开展感兴美学的元美学探源性研究和创新性研究,对于深化中国美学史和中华美学精神研究具有重要意义。应当在新的历史条件下复兴和创新中华感兴美学,使之全面进入当代美学、文艺学和艺术学理论。Chinese Ganxing aesthetics is an aesthetic theory that revolves around the concept of“Xing”,characterized by the in-tertwined interaction,bidirectional expansion,and integration of metaphor and analogy with Ganxing.“Xing”is the most important meta category of Chinese classical art and aesthetics,while Ganxing aesthetics is the meta aesthetics with the most Chinese national characteristics and spiritual temperament.On the basis of distinguishing Chinese and western terms of“meta-aesthetics”,this paper expounds the meta-aesthetics significance of Ganxing aesthetics from the following aspects:“Xing”is the meta-category of Chinese classical art and aesthetics;the status of“Xing”in the history of Chinese classical aesthetics is comparable to that of“logos”in the west;Ganxing aesthetics is the“opening program”of Chinese classical aesthetics;“Ganxing aesthetics”has always been praised as“the source of poetics and the criterion of law”,which embodies the unique spirit of Chinese aesthetics.It is of great signifi-cance to deepen the research on the history of Chinese aesthetics and the spirit of Chinese aesthetics to carry out exploratory and in-novative research on the meta-aesthetics of Ganxing aesthetics.It is necessary to revive and innovate Chinese aesthetics under the new historical conditions,so that it can fully enter the contemporary aesthetics,literature and art and art theory.
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