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作 者:韦乐[1] WEI Le(School of Journalism and Cultural Communication,Zhongnan University of Economics and Law,Wuhan,Hubei 430073)
机构地区:[1]中南财经政法大学新闻与文化传播学院,湖北武汉430073
出 处:《中国文学研究》2024年第4期49-57,共9页Research of Chinese Literature
基 金:中央高校基本科研业务费专项资金(2722020JCG043)。
摘 要:中唐儒家心性观念抬头,对情性实践的关注让经史互动、史诗赋结合的思维进驻传奇写作,使得此际的传奇明显摆脱了此前的杂传状态,在选材、布局、铺叙、文辞等各方面都着力服务于作者欲传达的心性观念,文本稳定呈现出“理—情—景—事”的体征和以“传”明“奇”、为“奇”作“传”的旨趣,传奇体由此确立。During the middle period of the Tang Dynasty in China,Heart-Nature in Confucianism gained prominence.The em-phasis on the practice of sentiment and disposition made the mindset of the interaction between Confucian classics with history and the combination of history,poetry and Fu enter into the writing of the legend.This made the legend at this time obviously get rid of the state of miscellaneous biographies,and in terms of material selection,arrangement,narration,and language,there was a con-certed effort to serve the Heart-Nature in Confucianism that the authors sought to convey.The text consistently manifested the genre specificity of“reason—emotion—scene—event”,and the purpose of conveying the extraordinary through the narrative and crafting the narrative for the extraordinary.These efforts contributed to the establishment of the legend genre during this period.
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