钱基博骈文批评对刘勰文学批评的继承与发展  

The Inheritance and Development of Qian Jibo’s Parallel Prose Criticismto Liu Xie’s Literary Criticism

作　　者：于景祥[1] 张力仁 YU Jingxiang;ZHANG Liren(College of Literature,Liaoning University,Shenyang,Liaoning 11036)

机构地区：[1]辽宁大学文学院,辽宁沈阳110036

出　　处：《中国文学研究》2024年第4期115-121,共7页Research of Chinese Literature

基　　金：国家社会科学基金重大招标项目“中国骈文批评通史”(22&ZD259)。

摘　　要：钱基博在文学批评方面对刘勰特别推崇,其《骈文通义》一书就是明证。该书一方面继承刘勰《文心雕龙》中“擘肌分理,唯务折衷”的总体批评方法,对骈文产生的原因、流变过程、典型作家与作品,以及骈文与散文之关系等问题做了深刻的阐释;另一方面又取法刘勰《文心雕龙》中“原始以表末、释名以章义、选文以定篇、敷理以举统”的文体批评方法,深入辨析骈体文。同时,在继承的基础上,他又自出机杼,进一步发展创新:一方面,将“骈文话”引入书中,并且加以改造,进一步丰富和发展了文体批评的方式和方法,另一方面,在论证体制上将《文心雕龙》文体论中各个步骤都由原来的语段状态发展成专题论文,形成完整的议论体系,在当时和以后的骈文批评中都具有启发意义。Qian Jibo was a great admirer of Liu Xie in literary criticism,as evidenced by his book Pian Wen Tong Yi.On the one hand,this book inherits Liu Xie’s general critical method of“Splitting the The Literary Mind and the Carving of Dragons,striv-ing for compromise”,and the relationship between parallel prose and prose.On the other hand,by taking the style criticism method of Liu Xie’s The Literary Mind and the Carving of Dragons,which is“Tracing the origin to illustrate the development,explaining the name to clarify the meaning,selecting texts to determine the composition,and elucidating principles to establish a general rule”,the author makes a deep analysis of parallel style.For one thing,he introduced parallel prose into the book and reformed it,which further enriched and developed the mode and method of stylistic criticism.For another,the argumentation system developed all the steps in the stylistics of the The Literary Mind and the Carving of Dragons from the original paragraph state into a monograph,form-ing a complete argumentation system,which has enlightening significance in the parallel prose criticism at that time and later.

关 键 词：《骈文通义》 《文心雕龙》 继承 发展 

分 类 号：I01[文学—文学理论]