镜像中的新一代——伤痕文学与新时期青年的主体建构策略  

New Generation in the Mirror——Scar Literature and Subject Construction Strategy of Youth in the New Period

作　　者：谭雪晴 TAN Xueqing(College of Chinese Language and Culture,Nankai University,Tianjin 300000)

机构地区：[1]南开大学汉语言文化学院,天津300000

出　　处：《中国文学研究》2024年第4期150-157,共8页Research of Chinese Literature

摘　　要：“伤痕文学”独特的新颖之处在于,它为新时期初的青年提供了有效的主体建构策略。“伤痕文学”在以情感宣泄的方式重建新时期情感共同体的同时,将政治身份存疑的青年一代讲述进历史的正轨。在“伤痕文学”中,青年群体与上一代形成了“镜像关系”:一方面,通过人物形象的同构和历史伤痕的共享,青年成为上一代的政治继承者和情感代言人;另一方面,借助爱情观方面的代际差异,青年一代挣脱历史成规的影响,主动进入新时期正在形成的主流话语体系。在“求同存异”的策略之下,新时期初的青年群体走出了自我主体建构的第一步。The unique novelty of scar literature lies in the fact that it provides effective subject construction strategies for the youth at the beginning of new period.While scar literature reconstructs the emotional community in new period in the form of emo-tional vent,it tells the youth with doubtful political identity into the right track of history.In scar literature,the youth forms“mir-ror relationship”with previous generation.On the one hand,through isomorphism of character images and sharing of historical scars,the youth become political successors and emotional spokespersons of previous generation.On the other hand,through intergeneration-al differences of attitudes toward love,the youth breaks away from the impact of historical rules,and takes the initiative to enter the mainstream discourse system of the new period.The youth in the new period constructs their subject identity in the strategy of“seeking common ground while reserving differences”.

关 键 词：伤痕文学 新时期 青年 时代主体 

分 类 号：I01[文学—文学理论]