游离与超越:新世纪小说中的个体精神之维——以《繁花》《考工记》《云中记》为中心  

To Detach and Transcend:the Dimension of Individual Spirituality in Novels of the New Century——Centered on Fan Hua、Kao Gong Ji and Yun Zhong Ji

作　　者：夏豫宁 XIA Yuning(College of Liberal Arts,Pingdingshan University,Pingdingshan,Henan 467000)

机构地区：[1]平顶山学院文学院,河南平顶山467000

出　　处：《中国文学研究》2024年第4期166-171,共6页Research of Chinese Literature

摘　　要：新世纪小说对人物精神之维的探讨,昭示着作家对个体现代性生存境况的关注。《繁花》《考工记》《云中记》立足于现实日常生活,借助对人物在场的生活状态的叙述,探究了人物游离的生存状态中的精神本质。同时,人物内在的精神本质引领自身成为自身,实现了自身的真实存在,对抗了现代性的异化存在。《繁花》显示了人物“不响”中回响的对内在真挚情感的忠诚;《考工记》将人物置于性质不同的场域中,呈现了个体在逃逸和沉入时对自我本真性的坚执;《云中记》把个体的存在与其所属的族群相连接,人物在对自身族群中身份的自证中,完成了自我的真实存在。三部作品透视了个体在追寻本真存在中的精神超越,传达了作家自身对人存在的领会。The exploration of the spiritual dimension of characters in contemporary novels heralds the authors’concern for the existential conditions of individual modernity.Fan Hua,Kao Gong Ji and Yun Zhong Ji grounded in everyday reality,delve into the spiritual essence of characters in a state of detachment.Simultaneously,the characters’intrinsic spiritual essence guides them to be-come their authentic selves,thereby countering the alienation of modernity.Fan Hua reveals the loyalty to inner sincere emotions echoed in the characters’silence.Kao Gong Ji situates characters in different contexts,presenting their unwavering commitment to their true selves in moments of escape and immersion.Yun Zhong Ji connects individual existence with their respective communities,as characters achieve their authentic existence through self-assertion within their own ethnic groups.These three works provide in-sights into the spiritual transcendence of individuals in the pursuit of authentic existence,conveying the authors’personal comprehen-sion of human existence.

关 键 词：游离 超越 真实存在 

分 类 号：I01[文学—文学理论]