科技、情感与后人类——《羚羊与秧鸡》的多维解读  

Science,Emotion and Post-human:A Multidimensional Interpretation of Oryx and Crake

作　　者：张凌闻 ZHANG Lingwen(College of Foreign Languages and Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学外国语言文学学院,上海200433

出　　处：《运城学院学报》2024年第5期74-78,共5页Journal of Yuncheng University

摘　　要：加拿大小说家阿特伍德在《羚羊与秧鸡》中,描绘了一场发达科技时代生物技术滥用导致的人类灭亡悲剧,融通了科技、情感与后人类三个维度之间的架构逻辑。人类中心主义指导下的科学理性成就了完美的技术乌托邦,然而漠视科学伦理与人文艺术的倾向错解了物质秩序与精神秩序,引发了深层次的精神与情感危机。作为“后人类”构型代表的秧鸡人最终走上重溯人类文明发展史的道路,这样的结局可以被解读为一种重建“后人类主义”与“人文主义”接续关系的尝试。In Oryx and Crake,Canadian writer Margaret Atwood depicts a tragedy of human extinction caused by the misuse of biotechnology in the futuristic high-tech era.The internal logic chain between science,emotion and post-human is blended.Under the guidance of anthropocentrism,the scientific rationality provides people with a perfect technological utopia,while the trend of indifference to scientific ethics and liberal arts has misinterpreted the material and spiritual order,triggering a deep spiritual and emotional crisis.As representatives of the posthuman configuration,the Crakers finally embark on the path of retracing the history of human civilisation,such an outcome can be interpreted as an attempt to rebuild the relationship between post-humanism and humanism.

关 键 词：《羚羊与秧鸡》 科学理性 人文情感 后人类主义 

分 类 号：B152[哲学宗教—世界哲学]