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作 者:李制 Li Zhi
机构地区:[1]西北工业大学艺术教育中心
出 处:《艺术传播研究》2024年第6期73-80,共8页Journal of Art Communication
基 金:共青团陕西省委全省共青团和青年工作调查研究项目“转化与接受:面向新时代大学生文化培育的路径体系研究”(编号:20240501)的阶段性成果。
摘 要:陆机《文赋》较早阐述了文学创作论,而其所论言意关系、“诗缘情而绮靡”等,已溢出文论范畴,深度介入书画论领域,被历代学者、书家奉为典范,从而在翰林墨苑广泛传播。立足于传播来看,可发现《文赋》的经典价值不止于说理切中关要或创制规范,也在其所论关要、所创规范具有跨领域的统摄性和话题性,后人读之不已、思之不已,遂论之不已、书之不已,遂基于文本形成跨媒介传播现象,不断增益其经典内涵。Lu Ji’s Wenfu earlier elaborated on the theory of literary creation,discussing the relationship between words and meaning,as well as the“poetic relationship and beauty”.It has transcended the scope of literary theory and deeply involved in the theory of calligraphy and painting,and has been regarded as a model by scholars and calligraphers throughout history,widely spread in the field of literature,calligraphy and paninting.From the perspective of communication,it can be found that the classic value of Wenfu is not only in explaining the key points or creating norms,but also in its cross disciplinary and topical significance in discussing the key points and creating norms.Later generations read and pondered it endlessly,and then discussed and wrote it endlessly.Based on the text,it formed a cross media communication phenomenon and continuously enriched its classic connotation.
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