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作 者:程永胜[1,2,3] 徐骁琪 景银 CHENG Yongsheng;XU Xiaoqi;JING Yin(School of Design and Creativity,Xiamen University Tan Kah Kee College,Zhangzhou 363105,China;Key Laboratory of Traditional Heated-form Craft Technology and Digital Design,China Academy of Art,Hangzhou 310002,China;National Ceramic Industry Design Institute of China,Quanzhou 362500,China)
机构地区:[1]厦门大学嘉庚学院设计与创意学院,福建漳州363105 [2]中国美术学院传统热成型手工技艺与数字化设计文化和旅游部重点实验室,浙江杭州310002 [3]国家陶瓷行业工业设计研究院,福建泉州362500
出 处:《福建理工大学学报》2024年第5期447-453,492,共8页JOURNAL OF FUJILAN UNIVERSITY OF TECHNOLOGY
基 金:2022年度教育部人文社会科学研究项目(22YJC760012);2022年度福建省社会科学基金项目(FJ2022C081);传统热成型手工技艺与数字化设计文化和旅游部重点实验室(中国美术学院)开放项目(TK2023061403)。
摘 要:德化窑作为中国民窑的典型代表,在对外陶瓷贸易和中外陶瓷文化交流中占有重要地位。德化窑瓷雕技艺目前处于保护与开发的关键时期,正面临保护与开发如何平衡的问题,实施建档式保护有一定价值和意义。界定德化窑瓷雕技艺档案的概念,提出全面而动态的德化窑瓷雕技艺建档思路,强调建档标准与规范的多层构建,并从本体、传承人、申报与保护、海外和其他方面档案等方面做好档案采集。针对德化窑瓷雕技艺档案的活态性开发,从强化宏观保障、优化资源组织形式、做好数字化与网站建设、创新文创产品开发、完善参观体验等五个方面提出对策。As a typical representative of Chinese folk kilns,Dehua Kiln plays an important role in foreign ceramic trade and cultural exchanges between China and foreign countries.At present,the carving technique of Dehua Kiln is in the critical period of protection and development,and it is facing the problem of how to balance protection and development.The implementation of file protection has certain value and significance.It is proposed to define the concept of Dehua kiln porcelain carving technique archives,put forward a comprehensive and dynamic idea of Dehua kiln porcelain carving technique archives,emphasize the multi-layer construction of file standards and norms,and collect archives from the aspects of ontology,inheritors,declaration and protection,overseas sources and so on.In view of the active development of Dehua Kiln porcelain carving technique archives,countermeasures are put forward from five aspects:strengthening macro support,optimizing resource organization forms,doing a good job in digitization and website construction,innovating cultural and creative product development and improving visiting experience.
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