《乌龙院活捉张三郎鼓词》研究  

Study on Guci of the Oolong Yuan Captured Zhang Sanlang Alive

作　　者：任思嘉 Ren Sijia(School of Chinese Language and Literature,Shanghai University,Shanghai 200444,China)

机构地区：[1]上海大学文学院,上海200444

出　　处：《牡丹江师范学院学报（社会科学版）》2024年第4期42-48,共7页Journal of Mudanjiang Normal University(Social Sciences Edition)

摘　　要：石印本《绘图新编乌龙院活捉张三郎鼓词》基本上按照小说《水浒传》中“宋江杀惜”的故事情节和叙事脉络改编而成,但它对小说又有多方面的丰富与发展。鼓词的改编基本上是本着世俗化、生活化、趣味化的原则进行的,改编者在编撰时增添了对生活细节的描述,强化了矛盾冲突,删减了小说中次要的情节和晦涩的文字,通过改动力求增强故事紧凑性、连贯性,并将人物塑造得善恶毕具、妍丑无遗,更贴近生活世俗。鼓词趋于通俗的改编迎合了平民阶层的审美观,归根结底是由于改编者自身的生存需求、鼓词艺术形式的特点要求以及民间文化的传播需求所驱动,改编虽存在一些不足,但其意义不容忽视。The lithographic edition of"the New Compilation of Drawing to the Oolong Yuan Captured Zhang Sanlang Alive Guci"is basically a-dapted from the story plot and narrative context of the novel"Water Margin",but it further enriches and develops various aspects of the novel.The adaptation of Guci is basically carried out in line with the principles of secularization,realism and entertainment.The adaptors added detailed descriptions of everyday life,intensified contradictions and conflicts,and also deleted minor plots and obscure words in the novel.Through changes,they strive to enhance the compactness and coherence of the story,and portray the characters to be full of good and evil,beautiful and ugly,and closer to the mundane life.The adaptation of Guci tends to be popular,which is in line with the aesthetics of the common people.In the final analysis,it is driven by the survival needs of the adaptors themselves,the characteristics of the artistic form of Guci and the communication needs of folk culture.Although there are some shortcomings,its significance cannot be ignored.

关 键 词：乌龙院活捉张三郎 鼓词 水浒传 

分 类 号：I207.39[文学—中国文学]