集部文献的艺术史呈现方式及其价值  

Presentation Methods and Value of Art History in Collected Works

作　　者：彭修银[1] 程旭冉 PENG Xiu-yin;CHENG Xu-ran

机构地区：[1]中南民族大学文学与新闻传播学院,湖北武汉430074

出　　处：《中南民族大学学报（人文社会科学版）》2024年第10期155-163,187,188,共11页Journal of South-Central Minzu University (Humanities and Social Sciences)

基　　金：国家社会科学基金艺术学重大项目“中国传统艺术知识体系研究”(21ZD08)。

摘　　要：集部文献涵盖了中国历代传统文人的文学艺术作品与观点,具有重要的艺术史价值。从传统学术体系出发观其艺术史价值,其“书史”的集成方式以及独有的目录学分类原则构成了其艺术史书写的基本轮廓。具体来看,书法题跋、论书诗、题画诗、画论、音乐赋等呈现方式将传统艺术门类与诗、文相结合,描画出了集部艺术史的基本面貌。其诗、文、赋、碑刻等多种文体汇集的书写方式,灵感乍现与个人表达相结合的书写特点,艺术性与理论性相融合的思维方式,共同构成了中国传统艺术史书写的独特话语系统,也为艺术史书写提供了宝贵的中国经验。Collected Works encompasses the literary and artistic works and viewpoints of traditional Chinese literati,holding significant value for art history.From the perspective of traditional academic systems,the integrated form of“Book History”and its unique bibliographic classification principles shape the basic framework for writing of art history.Specifically,the presentation of calligraphy inscriptions,poetry about literature,poems inscribed on paintings,painting theory,music fu,and other forms combine traditional art with poetry and literature,which depict the essential features of the art history presentation in Collected Works.The combination of poetry,prose,fu,and tablet inscriptions,the fusion of inspiration and personal expression,and the articulation of artistic expression and theoretical reflection form a unique discourse system for history of traditional Chinese art.This system also pro-vides valuable Chinese experience for art history writing.

关 键 词：集部 别集 总集 艺术史 中国传统学术 

分 类 号：G256[文化科学—图书馆学]