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作 者:董岳 李砚祖[1] DONG Yue;LI Yanzu(School of Humanities and Arts,Macao University of Science and Technology,Macao,999078;Shanghai Art and Design Academy,Shanghai,201800)
机构地区:[1]澳门科技大学人文艺术学院,中国澳门999078 [2]上海工艺美术职业学院,上海201800
出 处:《湖南包装》2024年第5期1-7,共7页
基 金:国家社科基金艺术学重点项目(22AG012)。
摘 要:纹样作为梳篦上的重要装饰,不仅是中国古代纹样的组成部分,而且有着特别的文化意义。从符号学视角进行分析,以期对梳篦纹饰有更深刻、明晰地了解,进而对其今后的应用创新有所裨益。文章通过对纹样进行分类归纳研究,评析其发展过程中受社会习俗、审美文化、工艺技术等因素影响,探讨其设计思想。从符号学角度对梳篦纹样的符号功能特征和文化信仰内涵进行分析,指出梳篦及纹样设计历经崇拜祈福、心愿寄托及民俗信仰的发展过程,从观物取象、学习模仿、传承创新等方面进行符号象征和设计文化的阐释。可以说,梳篦纹样作为某种符号呈现,是人们设计能力和思维的表现,其设计题材大致涵盖神人纹、自然气象纹、动植物纹、几何纹及其他题材纹样等,且装饰内容与组合形式多元。As an important decoration on the comb,the pattern is not only a part of the ancient Chinese pattern,but also has special cultural significance.From the perspective of semiotics,it is expected to have a more profound and detailed understanding of the comb pattern,and then it will be helpful to its future application and innovation.This paper classifies and generalizes the patterns,analyzes the influence of social custom,aesthetic culture,craft technology and other factors in the process of its development,and probes into its design thought.From the perspective of semiotics,this paper analyzes the symbolic features and the connotation of cultural belief of the comb pattern,points out that the comb and pattern design have gone through the development process of worship and prayer,aspiration and folk belief,and explains the symbol and design culture from the aspects of looking at objects,learning and imitating,inheriting and innovating.It can be said that the comb pattern is presented as a symbol,which is the performance of people's design ability and thinking,and its design subject matter roughly covers the God-man pattern,natural weather pattern,animal and plant pattern,geometric pattern and other subject matter pattern,and the decorative content and combination form are diverse.
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