中国传统器乐的创造性转化和创新性发展——以江南丝竹在当代的发展状况为例  

Creative Transformation and Innovative Development of Traditional Chinese Instrumental Music——Exemplified by the Contemporary Development of Jiangnan Silk and Bamboo Music

作　　者：孙剑 Sun Jian

机构地区：[1]上海音乐学院音乐研究院 [2]上海音乐学院“国家民委中华民族共同体研究基地”,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期92-100,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”子课题“中国少数民族器乐作品创作改编研究”阶段性成果,项目批准号:21ZD20。

摘　　要：中国当代作曲家秉持近代以来中国专业音乐“中西调和”的传统,探索丝竹乐的结构形态,探究丝竹乐的建构逻辑,融合不同的作曲技法,赋予中国传统器乐全新风貌和时代特征,使江南丝竹在新时代成为一个可以被不断阐释和赋新的“活体”。立足新时代文化自信,弘扬中华优秀传统文化的宏阔视野与语境,在中、西两种不同音乐观念下激活传统音乐的活力,既可从中国传统音乐以表演为中心的音乐观念中寻找音乐创作素材并探索新的作曲途径,又可采用“非遗”的传承模式作为民族器乐人才培养的有效补充,进而实现专业音乐教育推动中国传统音乐的创造性转化和创新性发展。Upholding the tradition of “ harmonious co-existence between China and Western” in Chinese professional music since the modern times,contemporary Chinese composers have explored the structural form and constructive logic of silk and bamboo music,and given traditional Chinese instrumental music new features and characteristics of the time by integrating different composition techniques.Therefore,the Jiangnan silk and bamboo music in the new era has become a “living body” that can be continuously interpreted and adapted.By upholding the broad perspective of traditional Chinese culture,we vitalize our traditional music with excellent music cultures both at home and abroad.We can explore new composition materials and approaches from the performance-centered tradition in Chinese music,and can also apply the inheritance model of “ intangible cultural heritage” to train talents in ethnic instrumental music,thus to promote the innovative transformation and development of traditional Chinese music with professional music education.

关 键 词：中国传统器乐 江南丝竹 创造性转化 创新性发展 

分 类 号：J607[艺术—音乐]