文化迁移·交织的历史·异质性:时空框架内的音乐人——费特豪尔的《流亡上海的音乐人(1938—1949)》评介  

Cultural Transfer,Entangled History and Heterogeneity:Musicians in the Framework of Time-Space——A Review of The Musicians in Exile in Shanghai (1938-1949) by Sophie Fetthauer

作　　者：汤亚汀[1] Tang Yating

机构地区：[1]上海音乐学院,上海200031

出　　处：《音乐艺术（上海音乐学院学报）》2024年第4期112-122,共11页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：费特豪尔的《流亡上海的音乐人(1938—1949)》并不是那种按照年代编纂的传统编年史,而是一部多学科交织的音乐史。该著独辟蹊径地运用了文化迁移理论,从机构、表演场地、音乐活动领域及音乐人出发,探究了上海犹太难民的多元音乐生活与二战不同历史时段、不同文化群体在上海所主导的不同地理空间的关系,充分体现了“文化—社会史”的研究方法。Fetthauer conforms that her Musicians in Exile in Shanghai(1938—1949) is a history of music,but not a traditional chronological chronicle.Instead,the theory of cultural transfer is uniquely applied,which aims to explore the multicultural musical life of the Jewish refugees in Shanghai in the perspectives of institutions,venues,disciplines,and musicians as compared with the different historical periods of World War II(time diversity,entangled history),as well as the relationships between different geographical spaces(heterogeneity)dominated by diverse communities in Shanghai.All embodies a comprehensive “ cultural-social history”approach,thus forming a multidisciplinary interwoven history.

关 键 词：犹太音乐 犹太难民 索菲·费特豪尔 文化迁移 

分 类 号：J605[艺术—音乐]