从艺术到工具——日本画在西方的传播研究  

From Art to Tool:A Study on the Dissemination of Nihonga in the West

作　　者：陆乐 唐诗尧 Lu Le;Tang Shiyao(Nantong University;Tokyo University of the Arts)

机构地区：[1]南通大学艺术学院 [2]东京艺术大学美术研究科

出　　处：《日语学习与研究》2024年第5期11-19,共9页Journal of Japanese Language Study and Research

摘　　要：1951年日本与外界恢复文化交流后,便致力于在西方推广日本画。在长达43年的推广过程中,日本画在西方审美、展览制度、社会风气,乃至学术倾向的重重考验下,不断调整推广策略,经历了从现代绘画、民族美术到政治工具的身份转变,却始终未能在审美上被西方所接受。外部的持续否定加剧了日本美术界“现代艺术(国际)/绘画(国家)”的对立局面,迫使日本画在本体危机中走向内化发展的道路。In 1951,Japan regained its political independence after resuming cultural communication with the outside world and devoted itself to promoting Nihonga in the West.In the 43-year promotion process,Nihonga underwent significant transformations,transitioning from modern art,to national art,to a political tool,all while facing numerous challenges in Western aesthetics,exhibition systems,social norms,and academic inclination.Despite these adjustments,Nihonga never achieved full acceptance by the West in terms of aesthetics.Ongoing external rejection exacerbated the dichotomy within the Japanese art circle,resulting in a stand-off situation between"modern art(international)"and"painting(national),"ultimately leading Nihonga towards internalization and closure.

关 键 词：日本画 美术传播 威尼斯双年展 杂种文化论 艺术功能 

分 类 号：J205[艺术—美术] G206[文化科学—传播学]