汉代文字瓦当的字体设计原理  

The Font Design Principle of the Han Dynasty Eaves Tiles with Characters

作　　者：任政 Ren Zheng(Schoolof Art of Soochow University,Suzhou215000,China)

机构地区：[1]苏州大学艺术学院,江苏苏州215000

出　　处：《艺术与设计（理论版）》2024年第9期35-38,共4页Art and Design

基　　金：“苏州大学第二十五批大学生课外学术科研基金立项项目”——魏晋南北朝丝绸之路上的莲花纹瓦当研究(KY2023411B)成果之一。

摘　　要：汉代文字瓦当中的多变字形可以称之为字体设计领域中的第一次大规模尝试,其中的文字造型千奇百怪,布局巧妙合理,深刻影响了现今的视觉传达设计和产品设计领域。文章基于汉代圆形文字瓦当中的诸多字体,运用图像学的研究方法,从造型设计、布局设计角度,将目前发现的全部汉代文字瓦当进行分类整理,系统性的研究了字体设计的内在逻辑,并提炼出相关的设计原理,以期为当下的传统艺术活化及设计转化提供一定的思路。The varied shapes in the Han Dynasty Eaves Tiles with Characters can be called the first large-scale attempt in the field of font design.The text styles are diverse and the layout is clever and reasonable,which has deeply influenced the current field of visual communication design and product design.This article is based on the many fonts found in the circular Eaves Tiles with Characters of the Han Dynasty.Using the research method of image science,from the perspective of shape design and layout design,all the Han Dynasty Eaves Tiles with Characters discovered so far are classified and organized.This article systematically studies the inherent logic of font design and extracts relevant design principles,hoping to provide some ideas for the revitalization and design transformation of traditional art today.

关 键 词：文字瓦当 字体设计 设计原理 文字纹 

分 类 号：J061[艺术—艺术理论]