战国早期青铜器造物思想与设计美学--以曾侯乙墓为例  

Bronze Creation Thought and Design Aesthetics in the Early Warring States Period:Taking the Tomb of Zeng Houyi as an Example

作　　者：陈银雪 孙晓燕[1] Chen Yinxue;SunXiaoyan(School of Design and Art,Henan Universityof Technology,Zhengzhou 450001,China)

机构地区：[1]河南工业大学设计艺术学院,郑州450001

出　　处：《艺术与设计（理论版）》2024年第10期25-27,共3页Art and Design

摘　　要：战国早期青铜器造型独特、纹饰丰富、工艺精细,是研究战国早期历史文化和社会发展的珍贵材料。文章以曾侯乙墓中出土青铜器为研究对象,首先分析曾侯乙墓所处的社会历史背景,阐释战国早期青铜器的造物思想;其次对青铜器造型、纹饰等特点进行探讨,最后运用层次分析法,对曾侯乙墓青铜器的设计美学特征进行讨论,以此探析战国早期青铜器设计的主要特征,厘清曾侯乙墓出土青铜器造物思想与设计美学及中华传统美学的渊源。The early Warring States bronzes are unique in shape,rich in grain and exquisite in craft,which are precious materials for studying the early history,culture and social development of the Warring States.This paper takes the bronzes unearthed from the tomb of Zenghouyi as the research object.Firstly,it analyzes the social and historical background of the tomb of Zenghouyi and explains the creation idea of the early Warring States bronzes.Secondly,it discusses the characteristics of the bronzes,such as shape,grain and technology.Finally,it discusses the design aesthetics characteristics of the bronzes in the tomb of Zenghouyi by using the analytic hierarchy process,so as to explore the main characteristics of the early Warring States bronzes design and clarify the origin of the creation idea and design aesthetics of the bronzes unearthed from the tomb of Zenghouyi and the traditionalChineseaesthetics.

关 键 词：战国青铜器 造物思想 设计美学 曾侯乙墓 

分 类 号：J01[艺术—艺术理论]