经典再造与守正创新:“沈氏三出半”对当下戏曲表演艺术的启示  

Classical Reinvention and the Upholding of Integrety and Innovation:The inspiration of"Shen's Three and a Half"to Contemporary Xiqu Performance Art

作　　者：赵建新[1] Zhao Jianxin

机构地区：[1]中国戏曲学院

出　　处：《戏剧（中央戏剧学院学报）》2024年第5期80-90,共11页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金艺术学重大项目“戏剧与影视评论话语体系及创新发展研究”(项目编号:23ZD07)的阶段性成果。

摘　　要：沈福存作为1949年之后出现的重要京剧男旦艺术家,其整理演出的“沈氏三出半”被业界公认为其代表作。“沈氏三出半”都是老戏老角色,“守正”易,“创新”难;“继承”易,“发展”难。但沈福存注重对经典剧目和经典形象的开掘再造,围绕大家、角色和观众三维聚焦,在有限的阐释空间中实现了个性化的舞台表达,这是其表演艺术得以在众多大师演出范本中脱颖而出的根本原因。沈福存实现了传统剧目传承与发展中的“守正创新”,为当下戏曲表演艺术的传承和发展提供了有益的借鉴和参考。As an important male Peking Opera artist who emerged after 1949,Shen Fucun's"Shen's Three and a Half"performances are widely acknowledged as his signature works within the industry."Shen's three and a half"feature traditional dramas and roles,where"upholding tradition"is easy,but"innovation"is challenging;"inheriting"is easy,but"evolving"is difficult.However,Shen Fucun focuses on the excavation and reinvention of classic repertoire and iconic images,centering on a three-dimensional focus involving the masters,the characters and the audiences,achieving a unique stage expression within a limited interpretative space.This is why his performance stands out among many masterful performances.Shen Fucun has achieved a"balancing of tradition with innovation"in the inheritance and development of traditional repertoires,providing valuable insights and references.

关 键 词：“沈氏三出半” 经典再造 守正创新 

分 类 号：J81[艺术—戏剧戏曲]