论新时期马克思主义文艺学对无意识理论的改写  

On the Adaptation of Marxist Literature and Art Theory to the Theory of Unconsciousness in the New Period

作　　者：刘阳[1] LIU Yang

机构地区：[1]华东师范大学中文系,上海200241

出　　处：《学术月刊》2024年第10期170-178,共9页Academic Monthly

基　　金：国家社会科学基金项目“当代文论关键词‘事件’的中国进路”(24FZWB021)的阶段性成果。

摘　　要：评估马克思主义文艺学当代性的一个要点,是看其对非理性却客观存在于文艺活动中的无意识采取何种态度。由审美反映论、艺术实践论、艺术生产论与艺术活动论四种代表形态组成的新时期我国马克思主义文艺学,在对无意识理论的改写方面不同程度地存在着疑点和推进上的困难,如“由意识转化出无意识”这一典型的改写策略,便属于理性权力规训的重演。将无意识有效纳入马克思主义文艺学的前提,是认识到无意识理论与“重复与差异”这一当代学理进展正在发生深刻联系,沿此吸收基于重复的独异历史观及其政治转向成果,还原实践在工具重复操作中的差异性,创造性地融合基于群体的实践论与侧重个体的人生论,走向更为纵深的马克思主义文艺学当代形态。The keystone to evaluating the contemporary nature of Marxist literature and art is to see what attitude it takes towards the unconscious.In the new period,Marxist theory of literature and art in China,which is composed of aesthetic reflection theory,artistic practice theory,artistic production theory and artistic activity theory,is dificult to effectively promote the adaptation of unconscious theory to varying degrees.For example,the typical rewriting strategy of“transforming consciousness into unconsciousness”belongs to the replay of rational power discipline.The premise of effectively bringing the unconscious into Marxist literature and art is to see the contemporary theoretical progress of the profound relationship between the unconscious theory and“iterability and difference”,to absorb the achievements of the singular historical view based on iterability and the political turn,to restore the differences of practice in the repeated operation of tools,and to creatively integrate the traditional theory of practice which is mainly based on groups and the theory of life that focuses on the individual.In this way can we move towards a more in-depth contemporary form of Marxist literature and art.

关 键 词：马克思主义文艺学 无意识理论 改写 

分 类 号：I0[文学—文学理论]