学海堂拟和诗创作的诗法宗尚及其诗学意义  

The Source of Xuehai Academy Poetry and Its Poetic Significance

作　　者：魏雨柔 WEI Yu-rou

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《五邑大学学报（社会科学版）》2024年第4期41-45,91,共6页Journal of Wuyi University(Social Sciences Edition)

摘　　要：拟和诗是广州学海堂诗歌课艺中不容忽视的构成要素。它以杜韩苏黄四人作为摹拟的主要标尺,承袭其务求争新出奇、擅长点化铸造、讲求章法布局的“诗法”。在运用各类典故与稀见字面来遵循以学为诗、以故为新的学术路径的同时,也具有包容通变的学术理念,“黄雀在后”的又一重视角、主题的拓宽与改写、论述的补充和完善使学海堂的拟和诗得以在传统“诗法”轨迹上臻于至善,使其成为“宗宋派”一脉之传衍创变的继承者、促进宗唐界宋门庭观念消解的推动者、广州文化场域诗学体系建构的参与者。The reply poetry was an important element in the poetry teaching at Guangzhou Xuehai Academy.The academy took Du Fu,Han Yu,Su Shi and Huang Tingjian as the standard and object in studying poetry,striving for novelty and surprise and crowning touches,and emphasizing the layout.While using all kinds of allusions and rare words to follow the academic path of creating poetry through learning and taking the past as a foundation,it also tolerated changes.Its emphasis on perspectives,expansion of themes,rewriting,and the supplementing and perfection of discussion and arguments brought its reply poetry into perfection on the track of traditional poetics,making it an important inheritor and promoter of the Song poetry,and contributed an indelible supporting force to the construction of Guangzhou’s poetics system.

关 键 词：学海堂 拟和诗 诗法 《学海堂集》 

分 类 号：I20722[文学—中国文学]